Kuru Art - Contemporary San Art

Lessie Morris (1976 - )
Lessie grew up in D'Kar where she still lives today. She worked as craft shop assistant at the Kuru Development Trust from 1898 - 2002. She was then transferred to the Kuru Art Project as administrative assistant where she is still working today. Inspired by the art she is working with daily, she started to paint in her free time. Her first painting was sold at the exhibit the Kuru Art Project has at the end of 2017 in Santa Cruz, USA.

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Ncaote Thama (1973 - )
“I do not really know what art is”, says Ncaote. “ I just do it and I find I like it.” Ncaote joined the Kuru Art Project in the beginning of 2010. She loves the Kalahari bush passionately. She lived previously in the settlement of Rooibrak on the very edge of the Central Kalahari Game Reserve, where she met and married the late Kuru artists Thamae Setshogo. Together they had three children. It was Thamae’s love of the art and his beautiful paintings that intrigued her and caused her to try it as well. Since Ncaote joined the project she had made beautiful paintings and linocuts that tells of her love and knowledge of the Kalahari.

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Ntcisa Kase 1966
Born in 1966 Ntcisa grew up on the farms in the Ghanzi District. She decides to become an artist at the Kuru Art Project in the beginning of 2018. She loves most to work in oil paint on canvas and has tried her hand at a few linocuts. Therefore she had a chance to have some of her work exhibited at the exhibition: Off Elands and Giraffes and Tea cups and Helicopters ..................and the First Peoples of the Kalahari, at the National Museum in Gaborone in November 2018.

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Qgam Khãx’a (1965 - )
Born in the Ghanzi district, Qgam joined the Kuru Art Project in 1997. Through his art, he portrays a deep knowledge of the animals, the veld and the traditions of his people. He is a good traditional dancer and often takes part in dance ceremonies in the village. Along with the other Kuru artists, his work has been exhibited worldwide. He attended the Thapong International Artists workshop in Botswana in 1999 and found it a very enriching experience. He enjoyed working with different artists but seems not to have been influenced by their styles, which differs widely from his own.

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Qgocgae Cao (Sara) (1931 - )
Sara counts herself as one of the first in her generation who have worked and earned a living on one of the freehold farms in the Ghanzi District. Her parents still lived as hunter-gatherers. She recalls that she still dressed in her traditional skin clothes in those years. Sara has seen many things change during her life and she now enjoys the way the women artists gather in the studio to talk and at the same time let their creativity run wild with the bright colours on the clean white canvasses. She loves to depict the things that matters to her, like her San tradition and the world where she now lives.

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